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Full Dark House

Bryant and May Series, Book 1

#1 in series

Audiobook
1 of 1 copy available
1 of 1 copy available

In Full Dark House, Christopher Fowler tells the story of both the first and last case of an unlikely pair of crime fighters—and how along the way they changed the face of detection. A present-day bombing rips through London and claims the life of eighty-year-old detective Arthur Bryant. For his partner John May, it means the end of a partnership that lasted over half-a-century and an eerie echo back to the Blitz of World War II when they first met. Desperately searching for clues to the killer's identity, May finds his old friend's notes of their very first case and becomes convinced that the past has returned...with a killing vengeance. It begins when a dancer in a risque new production of Orpheus in Hell is found without her feet. Suddenly, the young detectives are plunged in a bizarre gothic mystery that will push them to their limits—and beyond. For in a city shaken by war, a faceless killer is stalking London's theaters, creating his own kind of sinister drama. And it will take Arthur Bryant's unorthodox techniques and John May's dogged police work to catch a criminal whose ability to escape detection seems almost supernatural—a murderer who even decades later seems to have claimed the life of one of them...and is ready to claim the other. Filled with startling twists, unforgettable characters, and a mystery that will keep you guessing, Full Dark House is a witty, heartbreaking, and all-too-human thriller about the hunt for an inhuman killer.

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    • Publisher's Weekly

      May 3, 2004
      It's no surprise to find plenty of gothic touches in British author Fowler's debut mystery, the first in a series, given the renown of his horror fiction (Rune
      , etc.). When 80-year-old police detective Arthur Bryant gets blown up in an explosion at the North London Peculiar Crimes Unit headquarters, his longtime partner, John May, investigates his death. After some long, lecturing dialogue and an early chapter told from the viewpoint of a character who turns out to be of no consequence, the author reaches the core of his story—a flashback to the duo's first case during the London Blitz. In late 1940, the Palace Theatre is staging a production of Orpheus in the Underworld
      when the body of a dancer is found, sans feet. From this point forward, the intrigues of the theater murders, which decimate the cast, create considerable drama. The potency of Greek myth, conjured up by the opera being staged, is skillfully played out in the detectives' theories about the killer. The dynamic between May and Bryant makes for compelling reading, while the hubris of a police underling, Sidney Biddle, provides additional tension. Both past and present plots reach satisfying resolutions. Now that Fowler has set the stage, no doubt his second Bryant and May mystery will get off to a better start. Agent, Howard Morhaim.

    • AudioFile Magazine
      A shocking fatality results when a bomb explodes in London's Peculiar Crimes Unit. John May searches for clues to the bomber's identity, and the investigation flashes back to the PCU's grisly first case when the young duo Bryant and May probed a series of ghastly crimes during the 1940 London Blitz. The action seamlessly shifts between 1940 and the 21st century, building suspense as a connection between both cases is revealed. Tim Goodman vividly conveys the details of wartime London while giving voice to a myriad of characters. His distinctive husky voice emphasizes Bryant's laconic personality. The tone of May's youthful eagerness and somber reproaches clearly contrast with Bryant's bizarre detecting methods and flights of fancy. A.W. (c) AudioFile 2008, Portland, Maine

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  • English

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