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The Return

ebook
1 of 1 copy available
1 of 1 copy available
Surprises await a young woman when she comes home to bury her grandmother in this romantic suspense tale by a New York Times–bestselling author.
As a legacy of hatred erupts in a shattering moment of violence, a dying mother entrusts her newborn daughter to a caring strange. . . . Now, twenty-five years later, Catherine Fane has come home to Camarune, Kentucky, to bury the woman who'd raised her, bringing a blood feud to its searing conclusion.
At the cabin in the woods where she was born, Catherine is drawn to the ravaged town and its violent past. But her arrival has not gone unnoticed. A stranger is watching from the woods, a shattered old man is witnessing the impossible, and Sheriff Luke DePriest's only thoughts are to keep Catherine safe from the sleeping past she has unwittingly awoken . . .
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    • Publisher's Weekly

      May 1, 2000
      When schoolteacher Catherine Fane travels to rural Kentucky to fulfill her guardian's last wishes by burying the woman's body near the cabin where she lived years before, she unwittingly stirs a sleepy town into an ugly fervor. Although Catherine wasn't a blood relation, kindly Annie Fane had taken her in after her parents were mysteriously murdered. But the superstitious townsfolk of Camarune used to consider Annie a witch, and they immediately apply the label to Catherine as well, menacing the schoolteacher's plan to stay in the isolated cabin while she tries to make sense of her life. Then she meets Luke DePriest, the area's sexy sheriff, who tries to protect her, all while hunting a thief who's been leaving strange wooden carvings in the place of the goods he steals. When a deranged farmer shoots Catherine in the back, the townsfolk are jolted back to their senses, Luke and Catherine are forced to confront their love for each other, and Catherine finally discovers the long-lost truth of her past. McCall's (Touchstone) opening is intriguing and her locale appealingly stark. Unfortunately, cursory characterization and plot development (the homicidal farmer is introduced only a single scene before he attacks) give the book a blandness not redeemed by a lackluster romance.

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  • English

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