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0 of 1 copy available
Wait time: About 6 weeks
0 of 1 copy available
Wait time: About 6 weeks

Brought to you by Penguin.
Over 1 million Discworld audiobooks sold – discover the extraordinary universe of Terry Pratchett's Discworld like never before.
The audiobook of Hogfather is narrated by the BAFTA award-winning actor Sian Clifford (Fleabag, Vanity Fair, Quiz). BAFTA and Golden Globe award-winning actor Bill Nighy (Love Actually; Pirates of the Caribbean; Harry Potter and the Deathly Hallows) reads the footnotes, and Peter Serafinowicz (Star Wars: Episode I - The Phantom Menace; Shaun of the Dead) stars as the voice of Death. Featuring a new theme tune composed by James Hannigan.
Twas the night before Hogswatch and all through the house...something was missing.
The stockings are hanging ready, the sherry and pies are waiting by the fireplace - but where is the jolly fat man with his sack? It's not right to find Death creeping down chimneys and trying to say 'Ho ho ho' - but someone's got to bring the little kiddies their presents. Or else they might stop believing. Belief is important in Discworld, particularly on the last night of the year when the time is turning. If the real man in the red suit isn't found by morning, there won't be a morning. Ever again...
A festive feast of darkness, jolly robins and tinsel. As they say: 'You'd better watch out...'
Hogfather is the fourth book in the Death series, but you can listen to the Discworld novels in any order.
The first book in the Discworld series - The Colour of Magic - was published in 1983. Some elements of the Discworld universe may reflect this.
©1996 Terry Pratchett (P)2021 Penguin Audio

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    • AudioFile Magazine
      A special kind of touch is needed for a story about supernatural assassins out to kill a jolly character in a red suit who brings presents once a year. That's especially true if the target is not Santa, but an alternate-universe character called the Hogfather. Both author Terry Pratchett and reader Tony Robinson (the sidekick on TV's "Blackadder") have that touch. Robinson effectively delivers Pratchett's offbeat, humorous prose and creates convincing voices for a cast that includes Death, his daughter, the Ogod of Hangovers, and the assassin Mr. Teatime. The twists and turns of the plot move a bit too fast in this abridged reading, making one wish this had been a six-hour production, but this is still an enjoyable listen. J.S. (c) AudioFile 2000, Portland, Maine
    • Publisher's Weekly

      Starred review from November 2, 1998
      The master of humorous fantasy delivers one of his strongest, most conventional books yet. Discworld's equivalent of Santa Claus, the Hogfather (who flies in a sleigh drawn by four gigantic pigs), has been spirited away by a repulsive assassin, Mr. Teatime, acting on behalf of the Auditors who rule the universe and who would prefer that it exhibited no life. Since faith is essential to life, destroying belief in the Hogfather would be a major blow to humanity. It falls to a marvelously depicted Death and his granddaughter Susan to solve the mystery of the disappeared Hogfather, and meanwhile to fill in for him. On the way to the pair's victory, readers encounter children both naughty and nice; gourmet banquets made of old boots and mud; lesser and greater criminals; an overworked and undertrained tooth fairy named Violet; and Bilious, the god of hangovers, among other imaginative concepts. The tone of much of the book is darker than usual for Pratchett--for whom "humorous" has never been synonymous with "silly"--and his satire, too, is more edged than usual. (One scene deftly skewers the Christmas carol "Good King Wenceslas.") Pratchett has now moved beyond the limits of humorous fantasy, and should be recognized as one of the more significant contemporary English-language satirists. U.K. rights: Victor Gollanz, The Cassell Group; trans., first serial, dramatic, audio rights: Ralph Vicinanza.

    • AudioFile Magazine
      Another in Pratchett's Discworld series, set in an alternate universe of magic and very British silliness. The plot is irrelevant. Who can follow it anyway? The characters, the conceits, the jibes at contemporary intellectual currents are delightful. As is Nigel Planer's reading. He hasn't quite the imaginative resources to stay abreast of the author's, but he sustains the right narrative tone and gives us some very risible characterizations. Y.R. (c) AudioFile 2001, Portland, Maine

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  • English

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